4/12/2020

TEATRO BREVE de San Juan, PR ridiculiza al Pueblo Indígena Taíno/Jíbaro/Borikua en Parodia Teatral en las redes sociales

12 de abril 2020 - La Confederación Unida del Pueblo Taíno, junto a la comunidad Indígena Caribeña Taíno, Jíbaro, Borikua Arawak denuncia el acto de discriminación racial y burla cometido en su contra por Teatro Breve con la parodia titulada Un Viaje a nuestras raíces que ridiculiza al Pueblo Indígena de Borikén recientemente dispersándose a través de las Redes Sociales. Teatro Breve, hasta ahora había sido considerado la versión de “SNL”(Saturday Night Live) de Puerto Rico y entre otros, “la mejor compañía de Teatro en Puerto Rico”. 

El Pueblo Indígena Caribeño ha sido un pueblo resiliente por 527 años ante los abusos que comienzan con su invisibilización a través de la retórica colonial de la extinción, abuso a nuestras mujeres indígenas, la opresión, demonización y deshumanización,  incluyendo la religiosa. Esto se ha convertido en una licencia para ridiculizar a aquellos y aquellas que afirman su herencia e identidad Indígena como es su Derecho Humano inherente, universal, básico y fundamental, como lo es el Derecho a la libre determinación e identificación. 

El Gobierno Federal de los Estados Unidos, y por su estatus colonial, el gobierno local de Puerto Rico, tienen la obligación  de implementar al igual que de respetar la Declaración de las Naciones Unidas sobre los Derechos de los Pueblos Indígenas, finalmente adoptada por Estados Unidos en diciembre de 2010. 

El Artículo 8.1 - Los pueblos y los individuos indígenas tienen derecho a no ser sometidos a una asimilación forzada ni a la destrucción de su cultura.

Artículo 8.2 Los Estados establecerán mecanismos eficaces para la prevención y resarcimiento de: 

a.Todo acto que tenga por objeto o consecuencia privarlos de su integridad como pueblos distintos o de sus valores culturales o su identidad ética;
           
d) Toda forma de asimilación forzada o integración forzada;

e) Toda forma de propaganda que tenga como fin promover o incitar la discriminación racial o étnica dirigida contra ellos.

Hacemos también hincapié al hecho de que Estados Unidos (por ende aplica  Puerto Rico en su estatus colonial) es una de las Partes que adoptó el Convenio Internacional sobre la Eliminación de todas formas de Discriminación Racial; énfasis a todos sus artículos y a su preámbulo, entre éste: 

“Convencidos de que toda doctrina de superioridad basada en la diferenciación racial es científicamente falsa, moralmente condenable y socialmente injusta y peligrosa, y de que nada en la teoría o en la práctica permite justificar, en ninguna parte, la discriminación racial,..”

Nosotros apreciamos el Arte, después de todo, somos un Pueblo de muchísimas destrezas artísticas. Reconocemos y nos dedicamos a la revitalización de nuestros lenguajes indígenas, como lo están haciendo las más de 476.6 millones de Personas Indígenas en el mundo. Sin embargo, no podemos permitir que ésto suceda en un entorno de ridiculización y chiste sobre nuestra cultura, especialmente cuando se trata de asuntos de la Mujer que dentro de las Culturas Indígenas tienen un simbolismo muy sagrado, como lo es la Menstruación. 

No tenemos duda que un excelente trabajo pudiera haber sido hecho para enseñar sobre uno de nuestros lenguajes, sin embargo rechazamos y denunciamos este acto que deshumaniza, irrespeta, y ridiculiza nuestra Cultura Indígena. El esfuerzo de nuestros ancestros en la sobrevivencia y respeto; el movimiento organizado de nuestro pueblos de ya casi 50 años (como lo han hecho millones de hermanos indígenas en el mundo) y ante los cuales no somos una excepción; la defensa proactiva de nuestros derechos en el ámbito local, nacional, e internacional, entre otros, no puede venir a ser insultado y minimizado para hacer reír a unos cuántos. 

Nuestra Cultura es una Cultura VIVA. Conocemos nuestros Derechos y le pedimos a TEATRO BREVE, una disculpa pública a nuestro Pueblo Indígena Caribeño y a todos los Pueblos Indígenas, porque la burla hacia uno, es la burla hacia todos. También le pedimos a TEATRO BREVE que desista de la exhibición y distribución de este video de tan mal gusto no solo para los miles de Taíno, Jíbaro, Borikuas del Caribe y la Diáspora, sino por la dignidad de 476.6 millones de personas que han sido resilientes ante la adversidad de la mentalidad colonizada. 

Para más información contacte: Tekina Tai Pelli,
Confederación Unida del Pueblo Taíno (United Confederation of Taíno People (UCTP) 
Oficial de Relaciones Internacionales y Derechos Humanos;
Organización para el Desarrollo Indoamericano del Caribe (CADO, por sus siglas en inglés)
Co-Fundadora y Co-Presidenta
Taipelli21@gmail.com

   Comunicado de Prensa - Confederación Unida del Pueblo Taíno (CUPT) Para distribución inmediata

2/18/2020

Opinion: Boriken’s National Patrimony- A Diminishing Experience


The Institute of Puerto Rican Culture, or ICP, San Juan, Borikén (Puerto Rico)

By Nichole Bodin



As the Institute of Puerto Rican Culture (ICP) slowly disappears as an artifact of a new administrative debt-ridden speculative revenue plan, few find hope for fixing Caribbean history. An alternative could be within the horizon to positively create a better future for the few remaining legitimized Caribbean institutions along with the unborn cultural foundations and academies of Puerto Rico. Beautiful collections and strong archaeological evidence of the Island’s cultural fusion will lose its photos, postcards, petroglyphs, ceramics, songs, poems, and more, while the impending duplicity of the patrimony’s mission fails once again to conserve and preserve Puerto Rico’s culture. 

The ICP is currently located at the old colonial Spanish Welfare House in Old San Juan, and soon it will become a hotel. The Hotel San Felipe is expected to be rehabilitated with an estimated investment of $20 million. The concept is a boutique Hotel development that is proposed through the politicized conservation of the ICP’s historical structure while adding a restaurant, a bar, two luxury spas, and different hospitality and service areas. 

After an unjustifiable transaction was endorsed on December 27, 2016, (three days after the administration of past Governor Alejandro García Padilla ended) a lease agreement was signed by Arnold Benus under the company Gran Hotel San Felipe del Morro, and then Director of Land Administration- Luis Rivero Cubano. This agreement states that a rent of $5,000 per month will be paid during the hotel’s construction process, $85,000 annual fee the first three years of operation, and $100,000 annual the rest. After 10 years, the rent will be increased 15% of the base or 3.5% of the profit of the hotel operation every five years, while after the fourth year of rent, they will only pay 5% of the net earnings after taxes. In order to transform the historic Asilo de Beneficencia building, the headquarters of the Institute of Puerto Rican Culture, the Gran Hotel San Felipe del Morro development company must have the approval of the Puerto Rico National Park Company, as the use of the structure is still intended for a public purpose from its transfer to the island by the United States Government. 

The biggest concern is how the $10 million assigned for or ICP’s headquarters recovery funds from the Federal Emergency Management Agency (FEMA) after Hurricane Maria are going to be used, and how this audacious orchestration will end up in the hands of the already overly indulged private sector. El Castillo San Felipe del Morro is located on the northwestern point of the islet of Old San Juan, steps from the ICP, and has been recognized as a UNESCO World Heritage Site by the United Nations since 1983. With at least 2 million visitors yearly, the fortification is one of Puerto Rico’s leading tourist attraction, as well as the hotel’s expectations. 

But for now, San Juan’s current corrupt political leaders and government administrators have clearly coordinated again some last-minute oppressive and vicious acts to an already injured nation. With no real government functioning under Puerto Rican colonialism regime now, and with the possible dislocation of the ICP, Old San Juan is becoming a tourist attraction destined to respond to a culture of Disney characters dressed up as “Pirates of the Caribbean” while offering secret and private tour guides. This continuous cultural disinformation and distorted social image do not represent the Institute’s mission of years of work and study for the protection of the legacy and preservation of the Island’s National Treasures and historic patrimony. Old San Juan is already crammed with fancy hotels and numerous Airbnb’s functioning from historic buildings, and some already need restorations from the legal or illegal activities that helped acquire a level of wealth that allowed these businesses to live extravagantly within the National Historic Landmark District of Viejo San Juan. 

By not recognizing these cultural urgencies, a sense of annihilation creates a continuous and distasteful cultural and educational slaughter that noticeably encourages an interminable loss of historic knowledge from the Island’s ancestral contrast in history, its memorable cultural advances and tribal technology legacy. 

Every day, archaeological sites around the world continue to be destroyed through wars and political conflicts. In 1990, NAGPRA (Native American Graves Protection and Repatriation Act) declared that museums require to transfer human remains and any associated burial objects to culturally affiliated tribes. Nevertheless, Puerto Rico’s tourism process and absurd land exploitations through infrastructure development have always found itself in the middle of these juridical and patrimonial debates. 

It has been speculated that while Roosevelt Roads Naval Station operated in Ceiba, P.R. (1941-2004), the U.S. Armed Forces took at least 70,000 archaeological artifacts that were probably dated around 600 a.d., as these artifacts could be returned if an exemplary and modern depositary that operates within federally established norms is finally built in Puerto Rico. 

While President Donald Trump’s impeachment discrepancies keep proceeding, the political and economic relationship that Puerto Rico has with the United States will create a bigger and even more longstanding cultural hold-up, with more long-lasting identity damages. The Island’s everlasting jurisdictional oblivion and ethnic miscegenation have definitely created a more than ever alienated community. 

Indigenous movements around the world reflect their ‘cultural distinctiveness’, an important part of the post-colonial struggles for ethnic identity. The role of Latin American and Caribbean's social science has deconstructed Indians not as aboriginal, but as people that have been mediated by colonialism for hundreds of years. These reconstructions of mythological traditions, cultural identity, and social representations of traumatic experience of domination and colonialism have successfully deconstructed the superiority version of history and power. Borikén's (Puerto Rico's) Taíno and other self-identified Indigenous Peoples consists mostly of the genetically mestizo population of mixed European and Amerindian, while the ‘one-drop’ ruled principle of "invisible blackness" has loudly created a long history of violent racial interaction, slavery, and social segregation. 

A sense of urgency arises quickly when the most important cultural institution in a country is going to become a tourist hotel instead of a prestigious archaeological repository. Just as political corruption hits around the global news nowadays, Puerto Ricans question now the same interrogation since their first revolution: when is PR’s history going to be fixed? 

Museums and cultural activities are meant to promote unity and diplomacy in all societies by using their resources to ensure a better understanding of worldwide traditions with full knowledge of historic appreciation that will engender between peoples and nations. The future of the ICP’s artifacts is in danger, as new traditions develop quickly with a predilection aimed to naively annihilate the culture against tourism development. 

Although early museums were elitist and the general public was excluded, today’s museums and repositories have the mission to become agents of change and development that can foster peace, with strong ideals of democracy and transparency in their governance in order to include every group in the society. With the memory and recognition of the history of a culture, its different sectors, ages and how these community interests have created a way of life, the portrayal of customs and artistic manifestations will sustain, defend and preserve all forms of socio-cultural identities of the Circum-Caribbean Indio Old and New World experience. 

Nichole Bodin is a recent graduate from the Caribbean Archaeology Master's Program from the Center of Advanced Studies of Puerto Rico and the Caribbean. Along with her B.A. in Humanities with a minor in fine art photography and a A.D in Audiovisual Communication, she has worked as a community and union organizer and has experience as a grassroots newspaper community journalist. Her shared observations on Puerto Rico's National Patrimony is of interest to our community of thinkers.

2/15/2020

Cali Tzay Nominated for UN Special Rapporteur on the Rights of Indigenous Peoples

Jose Francisco Cali Tzay, Mayan Cakchiquel, former President of UNCERD
United Nations (UCTP Taino News) - The UN Human Rights Council accepted nominations for the United Nations Special Rapporteur on the Rights of Indigenous Peoples until October 2019. Among the nominees are Jose Francisco Cali Tzay, a Mayan Cakchiquel from Guatemala and former member (through December 2019) and past President of the UN CERD. In addition to his many other accomplishments, he is also the President of the Board of Directors of the International Indian Treaty Council for the past 20 years. 

Indigenous organizations from around the world have already submitted letters of support for the nomination of Cali Tzay, including the United Confederation of Taíno People (UCTP)

In a joint statement with the Caribbean Amerindian Development Organization, UCTP President, Roberto Múkaro Borrero stated: “We commend the remarkable work Mr. Cali Tzay has accomplished in the field of human rights, in particular, issues concerning indigenous peoples internationally, over his career.” 

In 2001, the Commission on Human Rights decided to appoint a Special Rapporteur on the rights of indigenous peoples, as part of the system of thematic Special Procedures. The Special Rapporteur’s mandate was renewed by the Commission on Human Rights in 2004, and by the Human Rights Council in 2007. 

Appointments of Special Procedures Mandate Holders are expected to be made at the 43rd session of the Human Rights Council to be held in Geneva, Switzerland from 24 February - 20 March 2020. 

UCTPTN 02/15/2020

2/13/2020

Taino community member’s art selected for NY Public Library Publication

New York (UCTP Taíno News) – Taíno community member, Cesar Guzman was selected and published in the 2020 edition of “Connections: A free guide for formally incarcerated people in New York City.” Connections is produced by the New York Public Library and is accessed by tens of thousands of New Yorkers every year who are looking for information on social service assistance, human rights, and other information. Guzman received a Certificate of Award in recognition of his “outstanding artistic interpretation of Connections” and his artwork appeared on page 219. 

UCTPTN 02/13/2020

1/19/2020

Women's March Brings Thousands Together Across the U.S. and Beyond

UCTP Representative Chali'naru Dones (at center) opens the 4th Annual Pioneer Valley Women's March on Saturday, January 18, 2020, with a spiritual invocation. 
Photo: Kevin Gutting 
Springfield, Massachusetts (UCTP Taíno News) – From coast to coast, thousands of women and their allies took to the streets across the U.S. on Saturday, January 18, 2020 to raise the visibility of a variety of issues such as climate change, immigration, reproductive rights, pay equity, gun safety, and voting. 


Marches took place in Washington D.C., New York City, Chicago, Denver, Colorado, Philadelphia, Pennsylvania,  New London, Connecticut, Dayton, Ohio, and Springfield, Massachusetts, among many others. The march in Washington D.C. was expected to be the largest, with a permit filed for 10,000 people. Colorful and passionate messages of resistance, empowerment, and solidarity were consistent across events.
In Springfield, Massachusetts, s
everal hundred demonstrators made their way down Main Street to City Hall holding signs and chanting at the fourth annual Pioneer Valley Women’s March. The Springfield mobilization was opened with a spiritual invocation by Chali’naru Dones, a representative of the United Confederation of Taíno People and a member of the Guainía Taíno Tribe. 

Before beginning her invocation, Dones called on those gathered to acknowledge local Indigenous Peoples and to keep the “women and all the people of Borikén (Puerto Rico) in [their] hearts” as they were still suffering from the effects of recent earthquakes. She also called for more attention on the issue of “missing and murdered Indigenous Women from throughout the hemisphere.” 

Also at the Springfield rally, Rhonda Anderson, a member of Inupiaq Athabaskan Tribes of Alaska called on the crowd to “Resist racism, resist marginalization, resist colonization, resist harmful legislation that seeks to turn back the clock against women, against minorities and against our Mother Earth.

The over 200 Women’s Marches that took place on Saturday were not limited to the U.S. as others took place in Paris, Berlin, London, Prague, Sydney and beyond. 

UCTPTN 01/19/2020